Category Archives: violence

“A Time for Revolution,” Hirai Kazumasa, 1963 (2007 Tr.)

“A Time for Revolution,” Hirai Kazumasa, 1963 (2007 Tr.) – Poets and artists from a dystopian future travel back in time to possess the bodies of today’s thugs. Comments:  Read in Speculative Japan: Outstanding Tales of Japanese Science Fiction and … Continue reading

Posted in 1960-1969, artists/creativity, international, time/history/causality, utopia/dystopia, violence | Leave a comment

“Itself!”, A. E. van Vogt, 1963

“Itself!”, A. E. van Vogt, 1963 – An AI submarine left-over from a past war patrols the waters, paranoid and territorial.  By luck, it destroys the crew of an alien invasion craft.  Those in charge realize the value of the … Continue reading

Posted in 1960-1969, automata/robots, intelligence, invasion, mechanization, paranoia/schitzophrenia, violence, war/soldiers | Leave a comment

“The Place Where Chicago Was,” James Judson Harmon, 1962

“The Place Where Chicago Was,” James Judson Harmon, 1962 – The state seeks to make its “do no harm” ideal a reality.  Its sonic controls create a world of compulsory vegetarianism, as well as simulated battles and citizens who are … Continue reading

Posted in 1960-1969, agency/will/freedom, exiles/"home"/displacement, violence, war/soldiers | Leave a comment

“Day of the Truce,” Clifford D. Simak, 1963

“Day of the Truce,” Clifford D. Simak, 1963 — The Punks versus the suburbanites in a fortified, futuristic community. Comments: Theme of generational conflict.  Read in Nightmare Age.  Wikipedia: “The local ‘Punks’ take advantage of the once-a-year truce to ransack … Continue reading

Posted in 1960-1969, american culture, cities/architecture/habitats, culture clash, generational conflict, invasion, love/family/children, primitive/civilized, the Other, violence | 1 Comment

“The Pi Man,” Alfred Bester, 1959

“The Pi Man,” Alfred Bester, 1959 — Bester’s pyrotechnic prose describes the agonized existence of the Pi Man, a man who must always find balance in numbers and patterns–and elude those who wish to use his abilities for their own … Continue reading

Posted in 1946-1959, love/family/children, mathematics, psych/mind/madness, senses/space, violence | 1 Comment

“The Large Ant,” Howard Fast, 1960

“The Large Ant,” Howard Fast, 1960 — A writer tells Lieberman, a curator, Hopper, a senator with an interest in entymology, and Fitzgerald, a government man, the story of how he encountered an ant-like alien while fishing in the Adirondacks.  … Continue reading

Posted in 1960-1969, atomic bomb/Hiroshima, difference/tolerance, emotions/intimacy/empathy, the Other, violence | Leave a comment

“You Are With It!,” Will Stanton, 1961

“You Are With It!,” Will Stanton, 1961 — A man in the midst of his normal domestic routine leaves for work and is accosted by a man who declares himself “the host.”  For the next ninety minutes, while the clock … Continue reading

Posted in 1960-1969, american culture, consumerism, genrecraft, identity/authenticity, love/family/children, male anxiety, masculinity, psych/mind/madness, reality/VR/surreal, satire, spectatorship/voyeurism, speed/slowness, surveillance, television, theatre/performance, time/history/causality, violence | Leave a comment

“Old Hundreth,” Brian Aldiss, 1960

“Old Hundreth,” Brian Aldiss, 1960 – A story of far earth and the human calvacade that marched through time to reach it, now transcended (uploaded) to a static plane of mingled personality.  This long-forgotten human civilization has left behind its … Continue reading

Posted in 1960-1969, animals/insects, cyborgs/posthumans, evolution, favorites, museums/artifacts, music, religion/soul/spirituality, speed/slowness, the body, violence, war/soldiers | 1 Comment

“Day at the Beach,” Carol Emshwiller, 1959

“Day at the Beach,” Carol Emshwiller, 1959 — In a post-apocalyptic world, a couple with a very hirsute, very violent son, Littleboy, struggles to reenact a normal “day at the beach.”  When they’re attacked by thieves after their gasoline, Littleboy’s … Continue reading

Posted in 1946-1959, atomic bomb/Hiroshima, evolution, love/family/children, primitive/civilized, progress/obsolescence, violence | Leave a comment

“Plenitude,” Will Worthington (Will Mohler), 1959

“Plenitude,” Will Worthington (Will Mohler), 1959 —  A family ekes out a hard life on the mountainside.  Opens with a young boy, Mike, asking his father “why, why,” as the father works on his garden. The child’s curiosity is deceptively … Continue reading

Posted in 1946-1959, agency/will/freedom, catastrophe, class/labor/"work", consumerism, gender, identity/authenticity, love/family/children, male anxiety, masculinity, museums/artifacts, natural/artificial, progress/obsolescence, reality/VR/surreal, senses/space, television, Uncategorized, violence | Leave a comment

“Cease Fire,” Frank Herbert, 1958

“Cease Fire,” Frank Herbert, 1958 — An operator at an outpost near enemy territory is nearly killed by enemy fire.  Both sides possess a device that can detect the other. The operator has scientific training and has come up with … Continue reading

Posted in 1946-1959, scientific ethics, the scientist, violence, war/soldiers | Leave a comment

“The Men Who Murdered Mohammed,” Alfred Bester, 1958

“The Men Who Murdered Mohammed,” Alfred Bester, 1958 – Henry Hassel discovers his wife is cheating on him and he murders her.  Unsatisfied, the genius invents a time travel machine in order to eliminate her from the timeline altogether.  After … Continue reading

Posted in 1946-1959, humor, love/family/children, male anxiety, the scientist, time/history/causality, violence | 1 Comment

“Two Dooms,” Cyril M. Kornbluth, 1958

“Two Dooms,” Cyril M. Kornbluth, 1958 – Los Alamos, May 1945: Edward Royland is a theoretical physicist pondering the ethics of creating the atom bomb.  He’s transported by a Native American fable/ritual (and peyote) to a world where the Nazis … Continue reading

Posted in 1946-1959, alternate history, american culture, atomic bomb/Hiroshima, communication, drugs/pharma, eugenics/heredity, fantasy/fable/fairy tale, favorites, gender, genocide/Holocaust, intelligence, knowledge/truth/epistemology, nationalism, Native Americans, satire, scientific ethics, the body, the Other, the scientist, time/history/causality, totalitarianism/fascism, violence, war/soldiers | Leave a comment

“The Die-Hard,” Alfred Bester, 1958

“The Die-Hard,” Alfred Bester, 1958 – (short short) The last “man” on earth is visited in his rest home by the new, “adjusted” cybernetic human male.  Most of the standardized males are named Tom, although they employ subtle distinctions in … Continue reading

Posted in 1946-1959, culture clash, cyborgs/posthumans, difference/tolerance, favorites, freaks/misfits, gender, generational conflict, identity/authenticity, invasion, masculinity, mechanization, memory, museums/artifacts, natural/artificial, physicians/medicine, progress/obsolescence, the body, the Other, time/history/causality, violence | Leave a comment

“Judas Danced,” Brian Aldiss, 1958

“Judas Danced,” Brian Aldiss, 1958 – Alex Abel Crowe, a madman living in a future without text, where the image and history are confused by society’s ability to send humans back in time one week, has watched the crucifixion on … Continue reading

Posted in 1946-1959, artists/creativity, favorites, identity/authenticity, interior/exterior, love/family/children, myth, photo/film/image, psych/mind/madness, religion/soul/spirituality, simulacra, spectatorship/voyeurism, theatre/performance, time/history/causality, Uncategorized, violence | 7 Comments

“The Prize of Peril,” Robert Sheckley, 1958

“The Prize of Peril,” Robert Sheckley, 1958 — Raeder is a contestant on The Prize of Peril, a reality tv show who is being hunted by killers for a live television audience.  Although the audience participates by calling in Good … Continue reading

Posted in 1946-1959, american culture, emotions/intimacy/empathy, media/advertising, photo/film/image, spectatorship/voyeurism, surveillance, television, violence | Leave a comment

“The Hated,” Paul Flehr (Frederik Pohl), 1958

“The Hated,” Paul Flehr (Frederik Pohl), 1958 — Byron, an astronaut, has returned from his mission to Mars and is attempting to re-acclimate to civilian life.  One of the restrictions on his pension stipulates that he must stay out of … Continue reading

Posted in 1946-1959, astronauts, dreams/hypnosis, emotions/intimacy/empathy, psych/mind/madness, reality/VR/surreal, senses/space, violence, war/soldiers | Leave a comment

“The Gentlest Unpeople,” Frederik Pohl, 1958

“The Gentlest Unpeople,” Frederik Pohl, 1958 — (alternate title: “The Gentlest Venusian”) Popagator and The Slide are playing whirlarang, a popular game and one that is integral to their culture.  Since their society has done away with war, they’ve relegated … Continue reading

Posted in 1946-1959, american culture, communication, culture clash, emotions/intimacy/empathy, gaming, greed, law, tourists, Uncategorized, violence, war/soldiers | Leave a comment

“Vengeance for Nikolai,” Walter M. Miller, Jr, 1957

“Vengeance for Nikolai,” Walter M. Miller, Jr, 1957 — Marya, a young Russian woman, is asked by a Russian general to assassinate the brilliant American (Ami) leader who is routing their troops.  This leader also is responsible for the attack … Continue reading

Posted in 1946-1959, agency/will/freedom, death/immortality, emotions/intimacy/empathy, favorites, gender, love/family/children, masculinity, mourning/grief, myth, nationalism, psych/mind/madness, sex/reproduction/sterility, suicide, the body, violence, war/soldiers | Leave a comment

“All the Colors of the Rainbow,” Leigh Brackett, 1957

“All the Colors of the Rainbow,” Leigh Brackett, 1957 — Opens with the description of a valley being washed away by rain. Flashes back to two green-skinned aliens arriving on Earth. Their host suggests they take a drive through the … Continue reading

Posted in 1946-1959, difference/tolerance, favorites, gender, love/family/children, masculinity, primitive/civilized, race/civil rights, the Other, violence | Leave a comment