Category Archives: the uncanny

“The Oldest Soldier,” Fritz Leiber, 1960

“The Oldest Soldier,” Fritz Leiber, 1960 –Friends discuss the history of weapons while having drinks at their favorite hang out, Sol’s Liquor Shop in Chicago.  After, the narrator reflects on his hatred of war, complicated as it is by his … Continue reading

Posted in 1960-1969, favorites, genrecraft, masculinity, media/advertising, nationalism, psych/mind/madness, surveillance, the uncanny, time/history/causality, totalitarianism/fascism, tourists, war/soldiers | Leave a comment

“The Other Celia,” Theodore Sturgeon, 1957

“The Other Celia,”  Theodore Sturgeon, 1957 – A recluse spies on his neighbor and discovers that she takes off her human “skin” at night. Comments: Another story by Sturgeon about the invasion of a woman’s privacy, though “weirder” than “A … Continue reading

Posted in favorites, gender, interior/exterior, natural/artificial, simulacra, spectatorship/voyeurism, surveillance, the gaze, the Other, the uncanny, Uncategorized | Leave a comment

“Second Variety,” Philip K. Dick, 1953

“Second Variety,” Philip K. Dick, 1953 – A soldier discovers that his self-replicating, mechanical enemies have discovered a new, thoroughly disorienting form of camouflage—the imitation of human beings. Comments:  Online text at Project Gutenberg; Librivox recording also available. Themes include … Continue reading

Posted in 1946-1959, cyborgs/posthumans, emotions/intimacy/empathy, favorites, identity/authenticity, interior/exterior, natural/artificial, paranoia/schitzophrenia, religion/soul/spirituality, simulacra, the body, the uncanny, theatre/performance, war/soldiers | Leave a comment

“Moxon’s Master,” Ambrose Bierce, 1909

“Moxon’s Master,” Ambrose Bierce, 1909 – An inventor and his friend debate the definitions of life and intelligence. The scientist speculates as to whether a man—or plants, or atoms—can be thought to “think,” by virtue of some aspect of their … Continue reading

Posted in 1926 and earlier, automata/robots, evolution, gender, knowledge/truth/epistemology, the scientist, the uncanny, theatre/performance | Leave a comment