Category Archives: photo/film/image

“Good Night, Sophie,” Lino Aldani, 1963

“Good Night, Sophie,” Lino Aldani, 1963 – (trans. from Italian)– In a future in which the superstar, Sophie, is a VR porn star, Sophie must decide if the Anti-Dream League’s claims that “nature and the soul” are being lost due … Continue reading

Posted in 1960-1969, aesthetics/beauty, agency/will/freedom, american culture, capitalism/Marxism, class/labor/"work", dreams/hypnosis, emotions/intimacy/empathy, gender, identity/authenticity, intelligence, interior/exterior, international, love/family/children, media/advertising, memory, narrative, natural/artificial, photo/film/image, progress/obsolescence, psych/mind/madness, reality/VR/surreal, religion/soul/spirituality, senses/space, sex/reproduction/sterility, simulacra, spectatorship/voyeurism, surveillance, the body, the gaze, the Other, theatre/performance | 1 Comment

“Goodlife,” Fred Saberhagen, 1963

“Goodlife,” Fred Saberhagen, 1963 – Suspense story in which a man and woman are captured by a Berserker, a machine designed by ancients to kill all life it encounters.  Inside, they find Goodlife, a boy raised by the machine.  He … Continue reading

Posted in 1960-1969, emotions/intimacy/empathy, identity/authenticity, love/family/children, mechanization, media/advertising, memory, photo/film/image | 1 Comment

“Before Eden,” Arthur C. Clarke, 1961

“Before Eden,” Arthur C. Clarke, 1961 – Two explorers are amazed to find a vegetative life on Venus.  Ironically, in coming to the planet, they introduce bacteria which will eventually kill all life on the planet.  The photographs they take … Continue reading

Posted in 1960-1969, ecology/the environment, evolution, international, photo/film/image | 1 Comment

“Mantage,” Richard Matheson, 1959

“Mantage,” Richard Matheson, 1959 — A writer wishes that life could be experienced in the same way as in a movie–all tedium glossed over, highlights only.  The rest of his life takes 85 minutes. Comments: Read in Science Fiction Showcase. … Continue reading

Posted in 1946-1959, artists/creativity, favorites, genrecraft, memory, photo/film/image, speed/slowness, time/history/causality | 1 Comment

“Judas Danced,” Brian Aldiss, 1958

“Judas Danced,” Brian Aldiss, 1958 – Alex Abel Crowe, a madman living in a future without text, where the image and history are confused by society’s ability to send humans back in time one week, has watched the crucifixion on … Continue reading

Posted in 1946-1959, artists/creativity, favorites, identity/authenticity, interior/exterior, love/family/children, myth, photo/film/image, psych/mind/madness, religion/soul/spirituality, simulacra, spectatorship/voyeurism, theatre/performance, time/history/causality, Uncategorized, violence | 7 Comments

“The Prize of Peril,” Robert Sheckley, 1958

“The Prize of Peril,” Robert Sheckley, 1958 — Raeder is a contestant on The Prize of Peril, a reality tv show who is being hunted by killers for a live television audience.  Although the audience participates by calling in Good … Continue reading

Posted in 1946-1959, american culture, emotions/intimacy/empathy, media/advertising, photo/film/image, spectatorship/voyeurism, surveillance, television, violence | Leave a comment

“Time in the Round,” Fritz Leiber, 1957

“Time in the Round,” Fritz Leiber, 1957 — A group of children loiter outside, trying to decide what to do. The youngest boy (nicknamed “The Butcher”) has a sadistic, “pre-civilization” streak.   The Butcher tries to poke his dog in the … Continue reading

Posted in 1946-1959, agency/will/freedom, gender, love/family/children, masculinity, photo/film/image, primitive/civilized, reality/VR/surreal, spectatorship/voyeurism, time/history/causality, totalitarianism/fascism, violence | Leave a comment

“And Now the News,” Theodore Sturgeon, 1956

“And Now the News,” Theodore Sturgeon, 1956 – In a media-saturated world, MacLyle retreats to a “wordless matrix,” an oasis of non-communication in which he can be absorbed in his own “practices and procedures.”  His desire conflicts with the psychiatrist’s … Continue reading

Posted in 1946-1959, agency/will/freedom, american culture, communication, consumerism, death/immortality, difference/tolerance, emotions/intimacy/empathy, exiles/"home"/displacement, language/libraries, media/advertising, paranoia/schitzophrenia, photo/film/image, psych/mind/madness, scientific ethics | Leave a comment

“The [Widget], the [Wadget], and Boff,” Theodore Sturgeon, 1955

“The [Widget], the [Wadget], and Boff,” Theodore Sturgeon, 1955 – (Novella) Two alien anthropologists observe the lonely inhabitants of a boarding house and study Synapse Beta Sub Sixteen, a trait which allows all sentient beings to step outside of their … Continue reading

Posted in 1946-1959, aesthetics/beauty, american culture, class/labor/"work", communication, consumerism, difference/tolerance, emotions/intimacy/empathy, exiles/"home"/displacement, favorites, freaks/misfits, gender, language/libraries, love/family/children, male anxiety, masculinity, media/advertising, natural/artificial, photo/film/image, progress/obsolescence, spectatorship/voyeurism, surveillance, the body, the gaze, the Other, theatre/performance, tourists | Leave a comment

“Dreaming is a Private Thing,” Isaac Asimov , 1955

“Dreaming is a Private Thing,” Isaac Asimov , 1955 – Jessie Weill, is the manager of a firm specializing in private dreamies (similar to films or DVDs) that can be viewed at home by individual users.  He encourages a ten-year … Continue reading

Posted in 1946-1959, artists/creativity, class/labor/"work", consumerism, dreams/hypnosis, economics, emotions/intimacy/empathy, freaks/misfits, genrecraft, love/family/children, media/advertising, photo/film/image, reality/VR/surreal, spectatorship/voyeurism, television, the Internet | 1 Comment

“Two-Handed Engine,” Kuttner and Moore, 1955

“Two-Handed Engine,” Kuttner and Moore, 1955 – War has destroyed human communities, such that the concepts of connection and family are undermined.  For a time, humanity wallows in hedonism and selfishness, having constructed robots capable of providing any material good.  … Continue reading

Posted in 1946-1959, agency/will/freedom, automata/robots, consumerism, emotions/intimacy/empathy, favorites, law, love/family/children, myth, photo/film/image, psych/mind/madness, religion/soul/spirituality, surveillance, violence, war/soldiers | Leave a comment

“The Night He Cried,” Fritz Leiber, 1953

“The Night He Cried,” Fritz Leiber, 1953 — A tentacled “woman” from Galaxy Center teaches a hard-boiled detective a thing or two about the purpose of sex. Comments: A satire of Mickey Spillane.  Utilizes stereotypical film persona/scenes, perhaps in keeping … Continue reading

Posted in 1946-1959, american culture, gender, genrecraft, humor, masculinity, photo/film/image, satire, sex/reproduction/sterility, theatre/performance, violence | Leave a comment

“The Waveries,” Fredric Brown, 1945

“The Waveries,” Fredric Brown, 1945 — George Bailey, a radio ad writer, listens to the fulsome ads of his rival while drinking and playing gin rummy with Maisie, a friend. A tapping similar to Morse code interrupts one of the … Continue reading

Posted in 1940-1945, communication, invasion, music, photo/film/image, primitive/civilized, progress/obsolescence, waverlies | Leave a comment

“With These Hands,” Cyril Kornbluth, 1951

“With These Hands,” Cyril Kornbluth, 1951 – Europe has been destroyed by radiation or bombs.  Roald Halvorsen, a sculptor and painter, finds he is out of work due to new tech (the esthetikon) and the literally “mass-produced” tastes of the … Continue reading

Posted in 1946-1959, aesthetics/beauty, artists/creativity, class/labor/"work", identity/authenticity, media/advertising, myth, photo/film/image, progress/obsolescence, religion/soul/spirituality, suicide | Leave a comment

“Coming Attraction,” Fritz Leiber, 1950

“Coming Attraction,” Fritz Leiber, 1950 – The protagonist is a British citizen named Wysten Turner who is in a post-nuclear New York to procure grain in exchange for electronic equipment that will probably be used to build an American military … Continue reading

Posted in 1946-1959, american culture, atomic bomb/Hiroshima, consumerism, favorites, gender, genrecraft, identity/authenticity, interior/exterior, masculinity, photo/film/image, satire, sex/reproduction/sterility, spectatorship/voyeurism, television, theatre/performance, utopia/dystopia, violence, war/soldiers | 1 Comment

“The Dead Past,” Isaac Asimov, 1956

“The Dead Past,” Isaac Asimov, 1956 – Arnold Potterley, PhD, a historian of Carthage, begs to be allowed to use the government’s chronoscope in order to clear the name of Carthage; specifically, he wishes to prove to his wife that … Continue reading

Posted in 1946-1959, bureaucracy/corporations, identity/authenticity, love/family/children, memory, mourning/grief, photo/film/image, scientific ethics, spectatorship/voyeurism, surveillance, the scientist, time/history/causality, utopia/dystopia | Leave a comment

“E for Effort,” T. L. Sherred, 1947

“E for Effort,” T. L. Sherred, 1947 – An investor (Ed Lefko) and an inventor (Miguel “Mike” Laviada) utilize a device able to film events from the past (Cortes’s conquest of Mexico, Alexander the Great, and the French Revolution), though … Continue reading

Posted in 1946-1959, atomic bomb/Hiroshima, identity/authenticity, knowledge/truth/epistemology, myth, photo/film/image, politics/politicians/elections, spectatorship/voyeurism, surveillance, time/history/causality, totalitarianism/fascism, war/soldiers | Leave a comment

“Vintage Season,” C. L. Moore, 1946

“Vintage Season,” Moore and Kuttner, 1946 – Time travelers who consume “catastrophe” as an aesthetic experience visit a city about to be destroyed by an asteroid.  With them is a composer who will memorialize the event through a 3D “operatic” … Continue reading

Posted in 1946-1959, aesthetics/beauty, artists/creativity, atomic bomb/Hiroshima, catastrophe, distance, emotions/intimacy/empathy, favorites, knowledge/truth/epistemology, music, photo/film/image, spectatorship/voyeurism, the body, the gaze, the Other, time/history/causality, tourists | Leave a comment

“The Great Fog,” H. F. Heard, 1944

“The Great Fog,” H. F. Heard, 1944 – Biologists and metereologists learn that a slight change in humidity has a given a mold a growth spurt.  This mold is capable of producing its own humid climate. It eventually covers the … Continue reading

Posted in 1940-1945, aesthetics/beauty, artists/creativity, cities/architecture/habitats, communication, ecology/the environment, favorites, language/libraries, memory, music, photo/film/image, speed/slowness, time/history/causality | Leave a comment

“No Woman Born,” C. L. Moore, 1944

“No Woman Born,” C. L. Moore, 1944 – The famous dancer Deirdre is horribly burned in a theater fire and her mind is transplanted into a golden, robotic body.  After much time spent recovering under the care of the physician … Continue reading

Posted in 1940-1945, aesthetics/beauty, american culture, artists/creativity, cyborgs/posthumans, difference/tolerance, favorites, freaks/misfits, gender, male anxiety, masculinity, media/advertising, music, natural/artificial, photo/film/image, psych/mind/madness, senses/space, sex/reproduction/sterility, spectatorship/voyeurism, television, the body, the gaze, the Other, theatre/performance | 1 Comment