Category Archives: masculinity

“No Light in the Window,” Kate Wilhelm, 1963

“No Light in the Window,” Kate Wilhelm, 1963 — Hank and Connie are two candidates for a space mission.  The couple lives under constant scrutiny while specialized observers analyze their behavior in order to determine their fitness for the mission.  … Continue reading

Posted in 1960-1969, astronauts, class/labor/"work", emotions/intimacy/empathy, gender, love/family/children, masculinity, psych/mind/madness, space exploration | 2 Comments

“A Kind of Artistry,” Brian Aldiss, 1962

“A Kind of Artistry,” Brian Aldiss, 1962 – The story of adventurer Derek Ende who leaves his demanding Mistress to make contact with the Cliff, an exotic species born of an asteroid.  Life off-world gives him insight into his home … Continue reading

Posted in 1960-1969, emotions/intimacy/empathy, favorites, gender, genrecraft, international, love/family/children, masculinity, matriarchy, psych/mind/madness, sex/reproduction/sterility | 1 Comment

“You Are With It!,” Will Stanton, 1961

“You Are With It!,” Will Stanton, 1961 — A man in the midst of his normal domestic routine leaves for work and is accosted by a man who declares himself “the host.”  For the next ninety minutes, while the clock … Continue reading

Posted in 1960-1969, american culture, consumerism, genrecraft, identity/authenticity, love/family/children, male anxiety, masculinity, psych/mind/madness, reality/VR/surreal, satire, spectatorship/voyeurism, speed/slowness, surveillance, television, theatre/performance, time/history/causality, violence | Leave a comment

“The Moon Moth,” Jack Vance, 1961

“The Moon Moth,” Jack Vance, 1961 – A new ambassador arrives to a highly organized culture with two peculiarities: hierarchical “character” masks used in lieu of personal identity and a language spoken through musical instruments. Comments:  Fantastic story of mores/customs, … Continue reading

Posted in 1960-1969, class/labor/"work", communication, culture clash, favorites, identity/authenticity, interior/exterior, language/libraries, masculinity, music, primitive/civilized, theatre/performance | Leave a comment

“The Oldest Soldier,” Fritz Leiber, 1960

“The Oldest Soldier,” Fritz Leiber, 1960 –Friends discuss the history of weapons while having drinks at their favorite hang out, Sol’s Liquor Shop in Chicago.  After, the narrator reflects on his hatred of war, complicated as it is by his … Continue reading

Posted in 1960-1969, favorites, genrecraft, masculinity, media/advertising, nationalism, psych/mind/madness, surveillance, the uncanny, time/history/causality, totalitarianism/fascism, tourists, war/soldiers | Leave a comment

“The Handler,” Damon Knight, 1960

“The Handler,” Damon Knight, 1960 —  Pete is the dashing man of the hour–a television star able to charm a room merely by walking through the door.  True to form, after a show he arrives at a post-party, amiable and … Continue reading

Posted in 1960-1969, aesthetics/beauty, american culture, difference/tolerance, favorites, freaks/misfits, identity/authenticity, male anxiety, masculinity, mechanization, media/advertising, satire, the body, the Other, theatre/performance | 1 Comment

“Dio,” Damon Knight, 1957

“Dio,” Damon Knight, 1957 — (Alternate title: “The Dying Man”)  The world is composed of two immortal classes–the pampered Players and the responsible Planners and their students.  Their lives of hedonism and leisurely scholarship, respectively, are progressing as planned until … Continue reading

Posted in 1946-1959, aesthetics/beauty, american culture, artists/creativity, cities/architecture/habitats, class/labor/"work", consumerism, cyborgs/posthumans, death/immortality, difference/tolerance, disease/plague, emotions/intimacy/empathy, favorites, freaks/misfits, love/family/children, masculinity, mourning/grief, museums/artifacts, sex/reproduction/sterility, spectatorship/voyeurism, speed/slowness, suicide, superhumans, the body, the Other, time/history/causality | Leave a comment

“Plenitude,” Will Worthington (Will Mohler), 1959

“Plenitude,” Will Worthington (Will Mohler), 1959 —  A family ekes out a hard life on the mountainside.  Opens with a young boy, Mike, asking his father “why, why,” as the father works on his garden. The child’s curiosity is deceptively … Continue reading

Posted in 1946-1959, agency/will/freedom, catastrophe, class/labor/"work", consumerism, gender, identity/authenticity, love/family/children, male anxiety, masculinity, museums/artifacts, natural/artificial, progress/obsolescence, reality/VR/surreal, senses/space, television, Uncategorized, violence | Leave a comment

“The Blind Pilot,” Nathalie-Charles Henneberg, 1959

“The Blind Pilot,” Nathalie-Charles Henneberg, 1959 – (Originally Au pilote aveugle (1959))  A blind, now “useless” pilot returns home to take care of his mentally-disabled (?) brother.  All is well between them until a package containing a siren arrives. Comments: … Continue reading

Posted in 1946-1959, astronauts, disability, gender, international, love/family/children, masculinity, mourning/grief, music, myth, sex/reproduction/sterility, Uncategorized | Leave a comment

“–All You Zombies–,” Robert Heinlein, 1959

“–All You Zombies–,” Robert Heinlein, 1959 – A time traveler paradox in which an orphaned “intersexed” man (hermaphrodite) switches genders, travels back in time to impregnate a younger version of himself, and gives birth to himself.  He is thus his … Continue reading

Posted in 1946-1959, agency/will/freedom, class/labor/"work", death/immortality, favorites, gender, identity/authenticity, love/family/children, masculinity, multiplicity, sex/reproduction/sterility, the body, the Other, time/history/causality | 1 Comment

“Broken Tool,” Theodore L. Thomas, 1959

“Broken Tool,” Theodore L. Thomas, 1959 — Carter and Cecil Hardy await the return of Carter’s prodigy in the deep space program, the young Lightner.  If Lightner returns from space and seeks out his home on Earth, he’ll have passed … Continue reading

Posted in 1946-1959, astronauts, exiles/"home"/displacement, gender, love/family/children, masculinity | Leave a comment

“Kill Me With Kindness,” Richard Wilson, 1958

“Kill Me With Kindness,” Richard Wilson, 1958 — A man is trapped in what he assumes is an alien experiment or zoo.  All his needs are met, but he’s given no contact with the moving, living world outside.  His television … Continue reading

Posted in 1946-1959, gender, love/family/children, male anxiety, masculinity | Leave a comment

“The Die-Hard,” Alfred Bester, 1958

“The Die-Hard,” Alfred Bester, 1958 – (short short) The last “man” on earth is visited in his rest home by the new, “adjusted” cybernetic human male.  Most of the standardized males are named Tom, although they employ subtle distinctions in … Continue reading

Posted in 1946-1959, culture clash, cyborgs/posthumans, difference/tolerance, favorites, freaks/misfits, gender, generational conflict, identity/authenticity, invasion, masculinity, mechanization, memory, museums/artifacts, natural/artificial, physicians/medicine, progress/obsolescence, the body, the Other, time/history/causality, violence | Leave a comment

“First Man in a Satellite,” Charles W Runyon, 1958

“First Man in a Satellite,” Charles W Runyon, 1958 — The first manned satellite requires a little person as pilot; they want human data, not data from an animal or machine.  They find a potential pilot in a circus; he … Continue reading

Posted in 1946-1959, astronauts, death/immortality, difference/tolerance, disability, freaks/misfits, gender, love/family/children, masculinity, mourning/grief, scientific ethics, the Other, Uncategorized | Leave a comment

“Vengeance for Nikolai,” Walter M. Miller, Jr, 1957

“Vengeance for Nikolai,” Walter M. Miller, Jr, 1957 — Marya, a young Russian woman, is asked by a Russian general to assassinate the brilliant American (Ami) leader who is routing their troops.  This leader also is responsible for the attack … Continue reading

Posted in 1946-1959, agency/will/freedom, death/immortality, emotions/intimacy/empathy, favorites, gender, love/family/children, masculinity, mourning/grief, myth, nationalism, psych/mind/madness, sex/reproduction/sterility, suicide, the body, violence, war/soldiers | Leave a comment

“Seat of Judgment,” Lester del Rey, 1957

“Seat of Judgment,” Lester del Rey, 1957 — Eli Judson, an official from Earth, visits Sáyon, a planet of “marsupial” aliens ruled by a religious matriarchy.  Judson is answering the distress call of the temple priestess, who is struggling to … Continue reading

Posted in 1946-1959, gender, love/family/children, masculinity, matriarchy, primitive/civilized, religion/soul/spirituality, sex/reproduction/sterility, the body, the Other, tourists, Uncategorized | 1 Comment

“The Lineman,” Walter M. Miller, Jr. 1957

“The Lineman,” Walter M. Miller, Jr. 1957 –  Off-world laborers are dehumanized (like prostitutes?) until real prostitutes arrive and turn their thoughts elsewhere. Comments: Includes portrayals of inter-racial friendships, exploited labor, and desperate attempts at intimacy.  A problematic somewhat uneven … Continue reading

Posted in 1946-1959, capitalism/Marxism, class/labor/"work", gender, masculinity | Leave a comment

“All the Colors of the Rainbow,” Leigh Brackett, 1957

“All the Colors of the Rainbow,” Leigh Brackett, 1957 — Opens with the description of a valley being washed away by rain. Flashes back to two green-skinned aliens arriving on Earth. Their host suggests they take a drive through the … Continue reading

Posted in 1946-1959, difference/tolerance, favorites, gender, love/family/children, masculinity, primitive/civilized, race/civil rights, the Other, violence | Leave a comment

“Call Me Joe,” Poul Anderson, 1957

“Call Me Joe,” Poul Anderson, 1957 – A psychologist watches in alarm as a disabled scientist is asked to explore the surface of Jupiter via the mind of a genetically-engineered animal. Comments: Read in A Century of Science Fiction, ed. … Continue reading

Posted in 1946-1959, disability, distance, favorites, masculinity, psych/mind/madness, reality/VR/surreal, senses/space, space exploration, spectatorship/voyeurism, the body, the scientist | Leave a comment

“Time in the Round,” Fritz Leiber, 1957

“Time in the Round,” Fritz Leiber, 1957 — A group of children loiter outside, trying to decide what to do. The youngest boy (nicknamed “The Butcher”) has a sadistic, “pre-civilization” streak.   The Butcher tries to poke his dog in the … Continue reading

Posted in 1946-1959, agency/will/freedom, gender, love/family/children, masculinity, photo/film/image, primitive/civilized, reality/VR/surreal, spectatorship/voyeurism, time/history/causality, totalitarianism/fascism, violence | Leave a comment